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But if you’re a few dB quieter, it’s okay. Instead, evaluate each track on its own terms. Since every mix has a different threshold, comparing the loudness of one track to another is pointless. This is the furthest you can push a track before it falls apart, and it varies based on many factors-including arrangement, instrumentation, and frequency content.

People often ask, “How do I make my mix as loud as the record?”īecause every mix has a unique loudness threshold. Louder tracks end up sounding worse than those that were mastered more conservatively.Įvery mix has a unique loudness threshold This feature is a loudness war killer. Quiet tracks get turned up, and louder tracks get turned down. The effect? This way, listeners don’t have to adjust their volume knob when switching between songs. Most streaming services-including Apple Music, Spotify, and YouTube-now automatically adjust the volume of different tracks so they play at an equal level. If you’re trying to make music louder, keep these things in mind:Īs we continue to race towards a streaming world, the quest for uber-loud is quickly becoming uber-pointless. At the end of the day, it’s their record. In cases like these, I share my thoughts with the client and let them make the final call. Most of the time, they do a fantastic job. I trust the mastering engineers I work with to achieve competitive levels. I spend very little time worrying about loudness, and it’s been ages since I’ve had a mix rejected because it was too quiet.Īlso, I rarely master my own mixes. If you’re trying to make music louder without sacrificing impact, clarity, and dynamics, the following tips will help.
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While the quest for loudness isn’t the frenzy it once was, knowing how to get there still matters. The loudness war is ending, but the obsession lives on.
